虎倒流骨法術
The
Tiger Knocking Down School of Bone Structure Art
The
exact origin of Koto Ryu is unknown, but it was probably
brought to Japan from what today is Korea by a person named
Chan Buso in the 16th Century. There went several
generations before the system was organized by Sakagami
Taro Kunishige. It was took two generations more until Toda
Sakyo Ishinsai formally formed Koto Ryo Koppojutsu as a
Ryu. Sakagami Taro Kunishige was considered as the first
Soke in Koto Ryu, but Bando Kotaro Minamoto Masahide, the
one that was to be the 2nd Soke died in battle 1542.
Instead the Ryu went to Sougyoku Kan Ritsushi who also was
the Soke of Gyokko Ryu. There after the Koto Ryu was
following the same family line as Gyokko Ryu. The
difference as apposed to Gyokko Ryu was that Koto Ryu was
only taught to the person that would become the next Soke.
Koppojutsu means to destroy the bone structure on the
attacker. What specializes the Koto Ryu techniques is that
distance is created by moving along with the attack, then
moving forward with a strike and then move quickly out to a
safe distance again. This is done to come in with a strike
at exactly 90 degrees against the bone structure of the
attacker to do the most damage. To do this demands good
timing and rhythm in the defensive attack, often done with
Yoko Aruki (moving with the legs crossing each other).
Another important part of the footwork is to hit the
attackers toki (the top of the foot), by kicking or
stepping on it to control his balance.
It should also be noted that the starting distance should
be really big from the start, the attacker must take one
big step or several steps to reach the defender. This
states clearly that Koto Ryu was developed for the
battlefield or out doors in general, and not inside a house
or narrowed places. The Koto Ryu stylist should be looking
right between the attackers eyebrows, so that the attacker
cannot read the intentions through his eyes. The attacker
will also believe that he has eye contact, wich will be
confusing for him. Other typical methods of Koto Ryu are
the use of Metsubushi, different ways of blinding the
attacker or attacking the eyes directly. Metsubushi could
be powder thrown at the attackers eyes, but also
reflections at the eyes from the sword or other metal
blades. For example when it rains the Koto Ryu stylist will
stand in Mangetsu No Kamae (similar to Hoko No Kamae with
the blade in the left hand) and collect water in the hi of
the blade and then throw the water at the enemies eyes
before the sword slashes down. Because of the hard
character of the Koto Ryu techniques it demands hard
discipline training to harden the body. Takamatsu
Toshitsugu started his training in Koto Ryu when he was
nine years old, and was considered a Koto Ryu master when
he was 13 years old. In his self biography he has written
that he got hard fingers and toes by hitting stone and
gravel until the blood came through the finger and
toenails. Shako Ken (claw hand) is one of the strikes that
is used in Koto Ryu. There are story's about Takamatsu
Sensei in the 1960's when he convinced Koizume Shizuo, a
journalist from the Tokyo Sport Newspaper, by literally
drilling five holes through the bark of a tree with his
Shako Ken finger strike. Koto Ryu also has an unusual way
of using the katana. Koto Ryu is one of the very few Ryu
that sometimes changes the grip of the sword by holding it
with the left hand near the tsuka. This gives multiple ways
of holding the sword with crossed arms that would totally
confuse the attacker, and sometimes convince him that the
stylist was an amateur and an easy opponent.